Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 9:42:51 GMT
Edit - Please ignore the second part of the question above.
Hi folks,
I'm really not trying to pick an argument here but would just like to know how people feel. If there's a general consensus either way then it's been a success.
For the record though the emphasis has to be on "properly constructed" as it's pretty clear that poorly constructed cables are likely to have a negative effect.
I also limited it to analogue cables because even I find it hard to believe that fancy digital cables can make any difference at all.
Gordon.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 14:34:27 GMT
My personal view is that it is quite obvious between some cables, not so obvious between others.
As you say, assuming a reasonable build quality, I feel that differences in capacitance, inductance, resistance, dielectric used, conductor materials, etc, etc, are enough to produce slight differences in SQ, which, in my experience, are clearly audible.
Edit: Please note I said I have heard differences, not improvements.
|
|
Rabbit
Administrator
Posts: 7,087
|
Post by Rabbit on Jun 13, 2015 16:09:32 GMT
I only buy cables for build qualities or suitable length. Speaker cable might be different though, I think. I heard differences years ago, when I switched from stranded copper to solid silver. (Mission flat cable) on two long runs to speakers. I think there might have been some kind of tonal difference. I have used mains cable too and to be honest, it was absolutely fine. (Even buried under the floor, going up the walls inside plaster and out into bedrooms, so we're talking very long runs) Digital cable seems like bunkem to me. People in the past have convinced me that it sounds different. I was wrong. It doesn't!! Headphone cables I just don't hear any differences. I have a £13 cable on my hd650 for portable use and it sounds no different to me than the standard cable. Interconnect may have some. Influence. Again, I'm not convinced. Your music has gone through miles of copper junk cables before it got to you in any case. Inside the hd650, the cable connects to one single strand of copper inside the ear cups. It's as thin as a hair. So you could have a python cable which is terminated in reality, with a hair's width of copper to the drivers. My feeling is that if you think you hear a diffrence then it's great that it improved your listening and so must have been money well spent. For me, it's a total waste of time. I have experimented with cables in the past and have really regretted it financially speaking. Now someone will pop in and say what a huge difference it made for them.  The mind is a powerful thing.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 16:16:06 GMT
Ive always thought I could gear differences but, like Jeff, I wouldn't want to claim there's always an improvement. I think speaker cables have exhibited the biggest differences & interconnects to a lesser degree. I do have an aftermarket cable for my HD 650's but I have to listen very closely to hear a difference. So closely it could be all in my head.
|
|
Rabbit
Administrator
Posts: 7,087
|
Post by Rabbit on Jun 13, 2015 18:15:12 GMT
Thing is Gordon, if you hear a difference, then that's fine, by whatever means.
I've got to a point where minutia of micro detail isn't quite as important to me as the sound or timbre of the music. I don't sit down and analyse what I'm listening to. At least not nowadays. I used to have to listen out for noise in particular, so I used headphones that would point that out rather than a pleasant home headphone.
The closer that the gear is to natural/neutral, then the brain just has to do less work which makes for easier listening. If the gear is skewed though, the brain does a really good job of translating it to as natural as it can under the circumstances.
I do think that once you get past analysis, you relax a great deal more into the music and learn to listen in a different way. I have to stop myself hearing noise/distortion sometimes because I'm so geared in to it though. So worrying about cables is the least part of my enjoyment if I'm honest.
Big differences can be made for absolutely nothing. I don't think many hifi people are aware of the effect of volume on all recordings. That has more effect on depth of field in the sound as well as space. Compression is lessened and timbre is way more balanced if you get the volume right for each headphone and recording. Those differences are far greater than cables imo.
I do think that some even need to be kind of 'shown' how to listen to a recording.
For me, the most important part are the mids. They need to be loud enough to sound close(ish). If the bass is lacking, I just turn up a fraction and if treble is too harsh, back off. Once you get into the 'sweet zone' which is different for various recordings and headphones, the sense of depth in the recording is increased, your ears aren't getting bombarded by too much sound and so don't go in to protection mode and 'compress' the sound to protect you and the sound is much more tonally 'correct'. Also, better dynamics.
It all hinges around something that we kind of ignore - volume.
I think of tone as contrast in a picture and the volume as brightness. They have to be adjusted for a correct balance. I think that's why I can tune in to headphones that aren't always brilliant, since I look for a 'sweet spot' in volume in order to give a balanced overall picture.
The cable makes less of a difference than getting the volume right imo. However, not many hifi people take any notice of it. They turn up to certain volumes by habit and then say that the gear is too bassy or treble laden, when it can be adjusted without tone controls easily. You just change yor perspective and distance from the players to suit.
Why does music sound so good at night time? No external noises. You listen at lower volume and adjust for decent presence. You actually listen better at night as well. The result is better tonal balance, proper dynamic range and better imaging ...... So music sounds better at night time!!!
Many don't realise that the ears go i to protection mode once a certain volume is reached and your brain actually starts to 'compress' what it hears in order to protect your ears. So for better dynamic range, back the volume off a bit.
I've not heard a single cable make anything like those differences for me. The silver cable to speakers made it seem brighter to me, so I started to back the volume off and it went back to what I remembered I guess. I didn't like it and preferred my music louder, so I went back to copper strand again. Whether that was in my mind or not, I'm not certain.
The most expensive headphone wire I tried cost around £300 and that was twenty years ago. Never again. £13 sounds no different!! Then some smart alec kid on HF tells me the HD650 deserves better? Only because he's been brainwashed. The guy everyone called 'voldemort' did have a point. He built a perfectly good amp at a fair price, but for some, it would have spunded better if he had quadrupled the price and put it in posh case. I still use mine and it matches most other stuff that I have.
A lot of our hobby is controlled by the head.
|
|
solderdude
Administrator
measureutternutter
Posts: 4,872
|
Post by solderdude on Jun 13, 2015 19:38:36 GMT
I am confused about the poll (not about cables) The question has 2 questions which both could be answered with a yes or a no Poll: (question 1) Do properly constructed analogue cables differ in sound quality ...... (question 2) or is it a myth? Do I vote 'yes' when do I feel a properly constructed cable makes a difference in SQ ? or do I vote 'yes' if I feel 'it is a myth' ? My views on cables is found HEREAll cables measure different in resistance, capacitance, inductance, crosstalk, EMI/RFI rejection, length, diameter, isolation, looks, feel, rigidity and what not. Different metals (alloys), conductors, isolators, spacers, constructions, braidings, shielding are also present. Connectors can have different materials as conductors, plating, isolation, clamping force/fit, looks. They all differ in so many ways, not in the least the price. One would think all these differences, all the reviews, opinions, comments, number of brands, reputation of manufacturers etc. all must have some merit to them otherwise there wouldn't be so many around. If changing cables works for you and gives worthwhile 'changes' then use these cables as long as you feel they are worth the money you doshed out. When cables do nothing for you then use cheapies that don't give you any 'connection problems'. Having measured and blind tested cheap and expensive cables I consider myself in the 'skeptic crowd'. I thus use cheap but decent cables with decent connectors. Usually make them myself with flexible microphone cable and decent (but cheap) connectors that are easy to solder/mount.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 21:15:30 GMT
Hi Ian. I agree with you about volume being important. I definitely have a sweet spot & friends often wonder why I don't listen even louder. There's a level though which seems to allow the music to breathe properly without reaching the point where the compression you mention comes in.
We do hear better at night too. I think that's a primal thing that's unavoidable in our species. Something to do with being alert for predators.
Frans, you're absolutely right. I only realised I'd over-complicated the question when it was too late to edit it. So for anyone reading it for the first time be aware that only the first part is relevant. Sorry about that.
The only reason I'm asking is because of a full-blown row that's going on as I type over on HF. I have a silver cable that very clearly sounds different to all the copper ones I have. I'm not mad either, it's very obvious.
|
|
Rabbit
Administrator
Posts: 7,087
|
Post by Rabbit on Jun 13, 2015 21:58:33 GMT
I'm finding that place full of people looking for problems at the moment tbh!!
In the end, it really doesn't matter. If you hear differences, then it has helped for whatever reason Gordon.
It seems that most discussions end up as a battle of pride over there and it's imperative to be seen as 'right' all of the time.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 22:21:08 GMT
I feel the same as Jeff on this one. Some noticeably different, others less so. Not necessarily an improvement so much as a change in sound sig. My reasons for buying replacement cables tend to be for more practical reasons (e.g. shorter cable or lighter IEM cable) rather than looking for an audible change though. With one exception the replacements are around the same money as you'd pay for a stock cable. Most times the differences are negligible or very slight. However, in a couple the difference has been more apparent (one clear as day - should add it was an IEM cable) and I wasn't going in with any expectations. Not sure why that would be but that's what my ears were telling me and that's good enough for me! Would I ever drop hundreds of pounds on a cable? Not a chance particularly so when the cable costs as much or more than the headphone it'll be used with. To my mind if a headphone doesn't sound good enough in stock form without a £300 cable then it's probably time to replace it Edit: later realised we're talking about analogue cables in general. I have no opinion on speaker cables (rarely use speakers) and little experience with different rca cables so no real thoughts on those either. My comments are purely based on my experiences with headphone / IEM cables. Soz.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 22:56:25 GMT
I'm finding that place full of people looking for problems at the moment tbh!! In the end, it really doesn't matter. If you hear differences, then it has helped for whatever reason Gordon. It seems that most discussions end up as a battle of pride over there and it's imperative to be seen as 'right' all of the time. It's getting really bad right now. Apart from the safe havens of the HD 650 thread & the Project Ember thread I'm scared to open my mouth anywhere else. So I don't. Actually, it happens every year around this time. I blame the heat. 
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 23:06:46 GMT
I feel the same as Jeff on this one. Some noticeably different, others less so. Not necessarily an improvement so much as a change in sound sig. My reasons for buying replacement cables tend to be for more practical reasons (e.g. shorter cable or lighter IEM cable) rather than looking for an audible change though. With one exception the replacements are around the same money as you'd pay for a stock cable. Most times the differences are negligible or very slight. However, in a couple the difference has been more apparent (one clear as day) and I wasn't going in with any expectations. Not sure why that would be but that's what my ears were telling me and that's good enough for me! Would I ever drop hundreds of pounds on a cable? Not a chance particularly so when the cable costs as much or more than the headphone it'll be used with. To my mind if a headphone doesn't sound good enough in stock form without a £300 cable then it's probably time to replace it  I have always been into hifi, even before I could afford to pay for it myself. I've also always believed cables can make a difference. Rarely a night & day difference but, particularly in systems that were already pretty well matched, a noticeable difference all the same. Then about 25 years ago What-Hifi magazine started touting the theory that you should spend around 10% of your total system cost on cables. Alarm bells started to ring for me. I've heard very expensive cables that sounded crap in certain systems, regardless of the cost of the individual components. It was then I realised the hi-fi enthusiast had become a cash cow. We were effectively being played. I've never had much money to play with in my life so around that time I essentially gave up chasing the dream. Then I bought a pair of Sony CD1000's. I got them for a song. They sounded incredible & I came to the realisation that maybe I could achieve a really high-end sound for what is a relatively small outlay. This was way before the internet remember so I had no access to the wider world of dedicated headphone amps. You just bought headphones, plugged them into whatever you had lying around and you were good to go. I was over the moon in my ignorance. Then I got the internet. And so it began...
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 13, 2015 23:33:42 GMT
I'm finding that place full of people looking for problems at the moment tbh!! In the end, it really doesn't matter. If you hear differences, then it has helped for whatever reason Gordon. It seems that most discussions end up as a battle of pride over there and it's imperative to be seen as 'right' all of the time. It's getting really bad right now. Apart from the safe havens of the HD 650 thread & the Project Ember thread I'm scared to open my mouth anywhere else. So I don't. Actually, it happens every year around this time. I blame the heat.  Agreed. Think I'm going to take a short sabbatical in the hope things will improve. Besides I like it here. Nice friendly vibe and a good bunch of lads.....like all audio forums it could of course do with a few more lasses but I think as a sex they just aren't quite so passionate (mad?) about this stuff... 
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jun 14, 2015 0:08:52 GMT
And who can blame them?
|
|
Rabbit
Administrator
Posts: 7,087
|
Post by Rabbit on Jun 14, 2015 6:51:52 GMT
I once used a roll of bell wire for apeaker runs into different rooms because I was able to push it between floorboards and under skirting boards!! Sounded ok to me....
|
|
solderdude
Administrator
measureutternutter
Posts: 4,872
|
Post by solderdude on Jun 14, 2015 7:20:26 GMT
There is only 2 proper ways to find out if cables DO sound different and that is by not KNOWING what cable is in there or by nulling.
For the first test you need another set of hands that pulls out the cables and randomly puts in a cable, then you have to guess/hear which one is in there. Both the cable swapper and listener have to keep score and compare afterwards. The listener must receive NO clues as to what cable is in there (poker face of the swapper and the unused cable must NOT be visible to the listener)
Do at least 10 swaps (must be really random so can even be 10x the same cable) so takes a while. You can spread the test over a few days..
For cables that make obvious differences that should be very easy to do. Good luck ....
I also did 'null tests' on cables. Not LS cables though, just interlinks. For LS cables the resistance of the cable and the impedance of the speaker as well as cable lengths make this test unusable.
One takes the input signal and the output signal of a cable (Y adapters) and subtracts the input and output signal. All phase, amplitude, distortion, noise, frequency related stuff becomes apparant after the 'nulling' in the form of a signal (can even listen to this or record it) IF a cable changes anything in dynamics, FR, amplitude or something else it should be audible/measurable and certainly nullable as a change in sound can only occur IF the signal has been altered. Another good thing is that you can measure with real signals in a real setup.
As not everyone has a nulling device (I had to build one myself) it is far easier to do a blind test (doesn't need to be DBT at all, just blind) hence my recommendation to test blind. Only for those that really want to know...
|
|